Felipe Hinojosa
This week Mennonites will gather in Orlando at MCUSA Convention 2017 to worship, meet old friends, and learn together. I won’t be there this year and I regret that I will miss what is being called the “Future Church Summit.” The central driving question for the summit is: “How will we follow Jesus as Anabaptists in the 21st century?” All of this talk about the future of the church, via podcasts and church press articles, took me back to my very first Mennonite Convention in Philadelphia in 1993. Everything about the experience was spectacular. Philadelphia, an iconic American city, meant the Liberty Bell and Rocky for us kids from the United States/Mexico borderlands. It meant American history, American pop culture, and lots of Mennonites. Perfect. Because I have always been one to push boundaries and challenge established rules, one of the first things I did as a good American was buy a beautiful American flag shirt. The sleeves were blue, and across my chest and back were the stars and stripes. Why would I, then a sixteen-year-old Mexican American kid, want to walk into a Mennonite convention wearing the stars and stripes? Primarily because I wanted to stand out, I wanted people to know that I didn’t really buy into this Mennonite peace thing, and I wanted to show my patriotism in one of America’s most historic cities. Some people stared, some made comments, and others simply ignored me. But understand that I come from a community in South Texas with a proud military tradition. I was raised in a Mennonite Church where it was common to have both peace activists and military veterans worshiping side by side. In all of this I have often wondered if peace theology, rooted in the white Mennonite experience, has anything to say to us, to my Latina/o Mennonite community?
Even as I am a pacifist and a critic of the military industrial complex, I owe my utmost respect and honor to the Latina/o soldiers who in the years after World War II came home to a country that continued to treat them as second-class citizens. In fact, it was many of those veteranos y veteranas who launched the Mexican American and Puerto Rican civil rights movements in the years after World War II. Like African American soldiers who fought for “Double V,” victory against fascism overseas and victory over racism and segregation at home, Latina/o soldiers made the ultimate sacrifice for a country where they suffered discrimination, segregation, and poverty.
So, what are we to do with this history? How are we to reconcile a peace theology that does not speak to our diverse experiences, to our military tradition, and to our forms of peacemaking, which are often at odds with the very scholarly forms of white Mennonite peacemaking? These questions are not new. In the 1960s, as a student at Hesston College, Lupe De León asked why it was that peace-loving Mennonite boys were “driving around in hemi-charged cars, living like the devil and hiding behind the skirt of the church… If I have friends dying in Vietnam, then why are these Mennonite boys having such a good time?”1 When Lupe’s childhood friend, Raúl Hernandez, learned that one of his cousins had been killed in Vietnam, Raúl immediately gave up his conscientious objector status and joined the war effort for his country and as a way to honor his dead cousin. These experiences varied from the very clinical and effortless narratives that we read about conscientious objectors in Mennonite history books. And if these experiences were more complex, as I suspect they were, Mennonite historians have failed in their responsibility to tell us the stories of war and struggle that do not neatly fit the peace narrative that remains rooted in a mythical, sixteenth century story.
To counter these narratives and push back against white Mennonite peace theology, Black and Brown Mennonites drafted their own essays where they argued for a peace theology rooted in their own experiences as Americans in urban and rural sites. Curtis Burrell drafted an essay entitled “The Church and Black Militancy,” Lupe De León and John Powell penned essays on peacemaking in the “barrio” and the “ghetto,” María Rivera Snyder drafted essays on peacemaking in the home, and Seferina De León and Gracie Torres made peace by merging the hits of Bob Dylan and Joan Baez with Texas Mexican Border music. Much of this history remains unexplored, dug deep in the Mennonite archives where historian after historian has ignored the calls by Black and Brown Mennonites—and marginal white Mennonites— that offer us alternative visions of the future church.
As Mennonite church leaders gather to dream and envision a new church for the twenty-first century, I hope they are aware of this history. Not the history of white Mennonites captivated by Harold Bender’s Anabaptist Vision, but instead the history of Black and Brown Mennonites who—away from the careful watch of white Mennonites—have introduced their own visions, their own stories, and their own ways of being Anabaptist and Mennonite. Does the future church have a history? Yes, it does. And acquainting ourselves with the history of tomorrow can move us beyond tired attempts at unity as we imagine a new political and ecclesiastical future full of possibilities.
- Felipe Hinojosa, Latino Mennonites: Civil Rights, Faith, and Evangelical Culture (Baltimore: Johns Hopkins University Press, 2014), 86. ↩
Wow! I want to read these essays that you mentioned. Where can I find them? I agree that we need to hear all the stories in order to move into the future together. Thank you.
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I wrote a response to this a week or so ago, but it never appeared. I can’t reconstruct it again, just wanted to say how important I think this blog post is for all Mennonites, but especially historians and other memory-keepers. It’s disturbing to simplistic historical pablum that makes us feel good about ourselves. I probably wouldn’t go so far in criticizing efforts against war, especially fora conscientious objectors, but it’s clear that I have plenty to learn. I’m not an historian, but am aware that as an archivist I help to interpret the stories that we save and pass on.
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